11 copies of each ricamo have been printed.

Each copy is numbered in Arabic numerals from 1/10 to 10/10, stamped by the Fondazione Alighiero and Boetti, and signed by Giordano Boetti. Additionally, one copy marked ad personam dedicated to Litografia Bulla, stamped by the Fondazione Alighiero and Boetti, and signed by Giordano Boetti. Giclée print on Hahnemühle Matt FineArt paper – smooth 308 gsm white, acid-free 100% cotton, in a 50 x 50 cm. This folder is published by Giordano Boetti and curated by Litografia Bulla in Rome.

Rome, June 2023.


Special thanks to the Alighiero and Boetti Foundation, to Caterina Boetti,
to Agata Boetti, Matteo Boetti, the Alighiero Boetti Archive and the Bulla Litography of Rome.

Ricami

Alighiero Boetti

A braccia conserte

Ricami - A braccia conserte

SOLD OUT

Alighiero Boetti

Ricami - Dall'oggi al domani

Ricami - Dall'oggi al domani

SOLD OUT

Alighiero Boetti

Ricami - Dalla sfera al cubo

Ricami - Dalla sfera al cubo

SOLD OUT

Alighiero Boetti

Ricami - Normal e anormale

Ricami - Normal e anormale

SOLD OUT

Alighiero Boetti

Ricami - Mistico romantico

Ricami - Mistico romantico

SOLD OUT

Alighiero Boetti

Ricami - L'energia iniziale

Ricami - L'energia iniziale

SOLD OUT

Alighiero Boetti

Ricami - Il tesoro nascosto

Ricami - Il tesoro nascosto

SOLD OUT

Alighiero Boetti

Ricami - Il silenzio è d'oro

Ricami - Il silenzio è d'oro

SOLD OUT

Alighiero Boetti

Ricami - Fortuna e sfortuna

Ricami - Fortuna e sfortuna

SOLD OUT

Alighiero Boetti

Ricami - Per nuovi desideri

Ricami - Per nuovi desideri

SOLD OUT

Artist

Alighiero Boetti

"Alighiero Boetti (1940 - 1994) approached art as a self-taught artist, with an early interest in the research of Gaston Bachelard. His initial works were three-dimensional pieces derived from common everyday objects, which positioned him as a key figure in the Arte Povera movement (1967). He delved into the concept of identity (1968) and the biology of the human body in "two-handed writing" performances (1970-75) and sculpture. Intrigued by postal methods and arithmetic, he conceived works based on the segmentation of time and the laws of mathematical permutation. In 1971, he discovered the ancient traditions of Afghanistan and, involving embroiderers in the creation of his works, he initiated a process based on the temporal gap between conception and execution."